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Thread!.Check out the Weekly Recommendation Thread.New Release: Good Night, Irene by Luis Alberto Urrea. It became an instant classic in women’s studies programs and a lodestar for a generation of Black, Asian, and Latinx activists. The first edition of Colonize This! was released in 2002, in the aftermath of 9/11. It is a response to the deportations of immigrant families, to the relentless killing of black people by police officers, and to the media outlets that describe the abuse of girls by old white men as ‘sexual encounters.’ This book, being as it is a gathering of young women of color sharing their experiences and intellectual insights, stands in defiance of what is happening in the courts, in Washington, and on the streets of our country. The NEW edition of Colonize This! Young Women of Color on Today’s Feminism! is a protest to the current political regime in our country. Join us for the book launch of the NEW edition of Colonize This! Young Women of Color on Today’s Feminism! I was working in theater at the Los Angeles Theater Center. What was your first job you got a paycheck for? I can properly hem those.” But he’s like, “Nope.” He doesn’t want me to touch them. I say to him, “Do you want me to hem those. My father used to do that to hem my jeans. I may have been cutting those little strings off as they walked onto the stage, but it worked. I made a lot of the clothes myself for “Raisin in the Sun,” and a lot of the hems didn’t get finished. We did “A Raisin in the Sun,” “The Sty of the Blind Pig” and all these classics. When I started getting accolades for what I was doing at school. When did you realize it could be a career? I was a theater major, but we didn’t have anyone teaching costume design. I was auditioning for a play that I didn’t get, and the director said, “You can try doing costumes if you want.” I went to the library to look up what a costume designer was. I actually didn’t know what a costume designer was until I was a sophomore. When did you first say, “I want to be a costume designer”? But when I finished it, I was like, “I’m not wearing that thing.” My neighbor Tommy, who was a small man, was like, “I’ll wear it, Ruth.” He wore that thing all the time. I made a patchwork blazer by cutting up a lot of my jeans. What was one of the first things your designed? " The Hundred Secret Senses doesn't simply return to a world but burrows more deeply into it, following new trails to fresh revelations. " The Hundred Secret Senses doesn't simply return to a world but burrows more deeply into it, following new trails to fresh revelations."-Newsweek "Truly novel.shimmer with meaning."-San Diego Tribune And out of the friction between her narrators, Amy Tan creates a work that illuminates both the present and the past sweetly, sadly, hilariously, with searing and vivid prose. For Kwan speaks mangled English, is cheerfully deaf to Olivia's sarcasm, and sees the dead with her "yin eyes."Įven as Olivia details the particulars of her decades-long grudge against her sister (who, among other things, is a source of infuriatingly good advice), Kwan Li is telling her own story, one that sweeps us into the splendor, squalor, and violence of Manchu China. 3 While the story is fictional, it is based on the experiences of Tan and on stories told by her mother. It was published by Putnam, 2 and was shortlisted for the 1996 Orange Prize for Fiction. And no one in Olivia's family is more embarrassing to her than her half-sister, Kwan Li. The Hundred Secret Senses is a bestselling 1995 novel by Chinese-American writer Amy Tan. Olivia Laguni is half-Chinese, but typically American in her uneasiness with her patchwork family. The Hundred Secret Senses is an exultant novel about China and America, love and loyalty, the identities we invent and the true selves we discover along the way. The results are sometimes happy, sometimes heartbreaking, but always.bittersweet. They meet men from all walks of life-local farmers, their professional colleagues, and even men with national roles and reputations-and each sister must make weighty decisions about what she values most. As the Latimer sisters become immersed in hospital life and the demands of their training, they meet people and encounter challenges that spark new maturity and independence. Together they decide to enroll in a training program for nurses-a new option for women of their time, who have previously been largely limited to the role of wives, and preferably mothers. They are famous throughout New South Wales for their beauty, wit, and ambition, but as they step into womanhood, they are not enthusiastic about the limited prospects life holds for them. Yet these vivacious young women each have their own dreams for themselves: Edda wants to be a doctor, Tufts wants to organize everything, Grace won’t be told what to do, and Kitty wishes to be known for something other than her beauty. In her first epic romantic novel since The Thorn Birds, Colleen McCullough weaves a sweeping story of two sets of twins-all trained as nurses, but each with her own ambitions-stepping into womanhood in 1920s and 30s Australia.īecause they are two sets of twins, the four Latimer sisters are as close as can be. The ‘Prose Edda’ is a textbook or training manual for trainee Icelandic poets. The Elder (poetic) Edda and Younger (prose) Edda in one edition on Project Gutenberg.The Elder or Poetic Edda on the University of Toronto website (1908 translation with introduction and the original Icelandic on facing pages). The Prose (or Younger) Edda on Project Gutenberg (1879 translation).He is explicitly stated as having written the fourth section and is, by extension, often credited with the entire compilation so that it is sometimes referred to as ‘Snorri’s Edda’. The ‘Prose Edda’ is traditionally associated with the real-life Icelandic scholar and chieftain, Snorri Sturluson (1179 to 1241). There is so little material and what there is is often impenetrably obscure or confusingly ambiguous. This uncertainty about the very name of the central sources of this culture epitomises the hundreds of other ambiguities and uncertainties one comes across in Norse mythology. Wikipedia explains the main theories of the meaning of ‘edda’. It is striking that nobody really knows what ‘edda’ means. Most of our knowledge of Norse mythology comes from two sources, the ‘Prose Edda’ and the ‘Poetic Edda’, both compiled from older texts during the 12th century, in Iceland. "It was and is wrong and harmful to my Asian readers, friends and family, and to all Asian people. "I wanted to take this opportunity to publicly apologize for this," he wrote Friday in a statement. Pilkey said he created the book to "showcase diversity, equality and non-violent conflict resolution" using "principles found in Chinese philosophy" but had recently been alerted that it "also contains harmful racial stereotypes and passively racist imagery." "The Adventures of Ook and Gluk," published in 2010, served as a spinoff of sorts from his popular "Captain Underpants" children's series: The two main characters from "Underpants" are listed as the author and illustrator of the book, during which they sought to clear up "science facts" with a story about time-traveling cavemen who train at Master Wong's School of Kung-Fu. Scholastic has pulled a book by "Captain Underpants" author Dav Pilkey that the publisher says "perpetuates passive racism." Seuss to no longer be the main focus of 'Read Across America Day' Through extraordinary revelations and extensive research that Ta-Nehisi Coates has lauded as "brilliant" (The Atlantic), Rothstein comes to chronicle nothing less than an untold story that begins in the 1920s, showing how this process of de jure segregation began with explicit racial zoning, as millions of African Americans moved in a great historical migration from the south to the north. Rather, The Color of Law incontrovertibly makes clear that it was de jure segregation-the laws and policy decisions passed by local, state, and federal governments-that actually promoted the discriminatory patterns that continue to this day. In this groundbreaking history of the modern American metropolis, Richard Rothstein, a leading authority on housing policy, explodes the myth that America's cities came to be racially divided through de facto segregation-that is, through individual prejudices, income differences, or the actions of private institutions like banks and real estate agencies. But it s unlikely that anyone will mind Greg is as entertainingly self-serving as ever, and Kinney continues to excel at finding the innate humor in broadly relatable situations, from the futility of junk-food crackdowns to a toddler s ability to exert control over an entire family. Readers expecting an overarching focus on a snowed-in Heffley clan, based on the book s concept, will have to wait a bit: the big storm doesn t hit until pretty late in the game. (Diehard fans, though, will have burned through it long before Thanksgiving dinner is served.) Kinney keeps to the formula that has worked so well for him, as Greg Heffley recounts, in diary entries and cartoons, his episodic misadventures at home and at school, mixing the timely (bullying, energy drink addiction, a creepy Elf on the Shelf style doll called Santa s Scout ) with the timeless (school fundraisers, get-rich moneymaking schemes, sibling rivalry). The timing of the release of the sixth book in Kinney s bestselling Diary of a Wimpy Kid series is pretty much perfect, given that it s set in the weeks leading up to Christmas. Cabin Fever is a 2016 American horror film directed by Travis Zariwny (under the pseudonym Travis Z) and written by Eli Roth.A remake of Roths 2002 film of the same name and the fourth overall installment in the Cabin Fever franchise.The film stars Samuel Davis, Gage Golightly, Matthew Daddario, Nadine Crocker, and Dustin Ingram. |